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| Totem, Welcome & Mortuary Poles at Stanley Park |
What you are viewing are replicas of First Nation welcome and totem poles that once stood in the park but have been returned to their homes within the province's diverse First Nation communities — or held within museum collections.
Some of the original totems came from Alert Bay on Cormorant Island, near the Port McNeill on the north coast of Vancouver Island.
Others came from communities in Haida Gwaii — and still more from the Wuikinuxv First Nations at Rivers Inlet on British Columbia's central west coast — home of the Great Bear Rainforest with her Spirit Bears.
The exception is the most recent addition carved by Robert Yelton in 2009. Robert is a First Nation carver from the Squamish Nation and his original welcome pole graces Brockton Point, the original settlement site of a group of Squamish-Portuguese settlers.
If you look at the photo above, the lovely chocolate, red and turquoise pole on the right is a replica of the mortuary pole raised to honour the Raven Chief of Skedans or Gida'nsta, the Haida phrase for from his daughter, the title of respect used when addressing a person of high rank. Early fur traders often took the name of the local Chief and used it synonymously as the place names for the sites they visited — hence Skedans from Gida'nsta.
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| Chief Skedans Mortuary Pole |
Upon Chief Skedan's death, the mortuary pole was carved both to honour him and provide his final resting place. Dates are a bit fuzzy, but local accounts have this as sometime between 1870-1878 — and at a cost of 290 blankets or roughly $600 in today's currency.
The great artistry of the pole was much admired by those in the community and those organizing the celebrations for the 1936 Vancouver Golden Jubilee — witnessed by 350,000 newly arrived residents.
Negotiations were pursued and the pole made its way down from Haida Gwaii to Stanley Park in time for the celebrations. The original totem graced Stanley Park for a little over twenty years before eventually making its way back to Haida Gwaii. It was returned to the community with bits of plaster and shoddy paint marring the original. These bits were scraped off and the pole welcomed back with due ceremony.
In 1964, respected and renowned Northwest Coast master carver, Bill Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, Haida Gwaii and Scottish-German descent, was asked to carve this colourful replica.
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| Mountain Goat Detail, Skedans Mortuary Pole |
Don Yeomans, Haida master carver, meticulously recarved the moon crest in 1998. If you have admired the totem pole in the Vancouver Airport, you will have seen some of Yeoman's incredible work.
The crest is Moon with the face, wings, legs and claws of a mighty and proud Thunderbird with a fairly smallish hooked beak in a split design. We have Moon to thank for the tides and illuminating our darkest nights. As a crest, Moon is associated with transformation and acting as both guardian and protector.
The original pole had a mortuary box that held the Chief's remains. The crest sits atop a very charming mountain goat. I have included a nice close-up here of the replica for you to enjoy.
Mountain Goats live in the high peaks of British Columbia and being so close to the sky, they have the supernatural ability to cross over to the sky world. They are also credited as being spirit guardians and guides to First Nation shamans.
I love his horns and tucked in cloven hooves. There is another pole being carved on Vancouver Island that I hope to see during its creation that also depicts a Mountain Goat. With permission and in time, I hope to share some of those photos with you.
Mountain Goat is sitting atop Grizzly Bear or Huaji or Xhuwaji’ with little human figures placed in his ears to represent the Chief's daughter and son-in-law, who raised the pole and held a potlatch in his honour.
Beneath the great bear is Seal or Killer Whale in his grasp. The inscription in the park says it is a Killer Whale but I am not sure about that interpretation — both the look and lore make Seal more likely. Perhaps if Killer Whale were within Thunderbird's grasp — maybe.
Though it is always a pleasure to see Killer Whale carved in red cedar, as the first whales came into being when they were carved in wood by a human — or by Raven — then magically infused with the gift of life. We think of totem pole as being part of the material culture of all Indigenous cultures across Canada when, indeed, they are carved by only a few and not always in the ways that you expect.
Some are house fronts or house posts, others are shaped like an entryway versus the tall thin poles you might expect.
We can thank the talented artists of the Haida, Nuxalk, Kwakwaka'wakw, Tlingit, Tsimshian and Coast Salish for the poles we enjoy in the Pacific Northwest.
It is their storytelling and clan crests that we are enjoying when we look upon these carvings. These are the stories of their ancestors, their heroics, challenges, titles, deeds and sorrow. Each a masterpiece as a visual that supports an oral tradition—stories told and reinforced year-upon-year at Winter ceremonies.
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| Siwash Rock on the northern end of Third Beach, Stanley Park |
Glacial deposits sit atop as a mix of clay, sand, cobbles and larger boulders of glacial till.
There are a few areas of exposed volcanics within the park that speak to the scraping of the glaciers as they retreated about 12,500 years ago.
The iconic moss and lichen coated Siwash Rock on the northern end of Third Beach is one of the more picturesque of these. It is a basaltic and andesitic volcanic rock — a blend of black phenocrysts of augite cemented together with plagioclase, hornblende and volcanic glass.
Images not shown:
Do check out the work of Emily Carr and her paintings of Q:o'na from the 1940s. I'll share a link here but do not have permission to post her work. http://www.emilycarr.org/totems/exhibit/haida/ssintro.htm
