THIRST OF THE LOST CONTINENT: DODOS AT THE RIVER OF MAURITIA

Dodo Birds by Daniel Eskridge

Two dodo birds—one warm brown like sun-baked coconut husk, the other a pale, ghostly white with hints of grey—stand beak-deep in the shallows of a river that winds like a silver serpent through the tropical jungles of ancient Mauritia. 

Their feet sink into cool silt and damp leaves at a rivers edge. 

The air is thick with the scent of pandanus and damp leaves, heavy enough to taste. Dragonflies hover in lazy spirals above them, iridescent flashes stitching over the water’s skin.

The brown male dodo dips first, scooping up a beakful of water with a gentle glop, while the white female one pauses, head cocked, watching a fruit drift downstream. For a moment the world feels impossibly quiet—no humans, no predators bold enough to trouble them, only the chorus of the forest and the steady rhythm of their drinking.

These feathered oddities belong to an island that itself has slipped through time. Mauritia, a now-lost microcontinent once nestled between Madagascar and India, cracked and sank more than 60 million years ago as the Indian Ocean spread and rearranged the world’s geography. All that remains today are a few scattered fragments—Mauritius, Réunion, Rodrigues—emerald crumbs left atop an ancient submerged landmass.

Dodo Birds by Daniel Eskridge

It is on one of these volcanic islands, long after Mauritia’s foundering, that the dodo evolved into its peculiar glory. Descended from flighted pigeons that likely swept in on storm winds from Southeast Asia, the dodo abandoned the sky entirely. 

With no natural predators and an island full of fruits, nuts, and fallen seeds, wings became more decorative than practical. Their legs grew stout. Their bodies rounded. Their beaks curved into the iconic hooked silhouette now etched into the imagination of every natural historian.

The brown dodo nudges the white one aside, perhaps a sign of affection, perhaps mild irritation—dodos, after all, were social birds, not the clumsy caricatures drawn centuries later. 

They waddled in flocks, nested on the ground, and lived comfortably beneath the canopy of ebony forests. Their feathers, described by early visitors as soft and hair-like, varied from gray-brown to white depending on age, sex, and perhaps even seasonal cycles.

But their peace was fragile, vulnerable to change they could not see coming.

When humans finally set foot on Mauritius in the late 1500s, they brought ships that carried pigs, rats, goats, and monkeys, all eager for eggs, seedlings, and anything edible. 

Forests were cut, nests trampled, and the trusting dodos, unaccustomed to fear, walked directly into the hands of sailors who considered them a convenient, if not particularly tasty, meal. Within roughly a century, they were gone.

But in this imagined moment—two birds drinking from a clear jungle river on an island born from a drowned continent—they live again. 

The sun breaks through a gap in the canopy, scattering gold across their backs. The white dodo lifts its head, droplets falling like tiny jewels, and lets out a soft, throaty grunt.

Here, in the cool breath of Mauritia’s shadowed past, the dodos are a symbol of loss—curious, gentle, utterly at home.

And for a heartbeat, we remember them.

Illustration Credit: This image was created by the supremely talented Daniel Eskridge, Paleo Illustrator from Atlanta, Georgia, USA. I share it here with permission as I have licensed the use of many of his images over the years, including this one. 

To enjoy his works (and purchase them!) to adorn your walls, visit his website at www.danieleskridge.com